Εμφάνιση αναρτήσεων με ετικέτα Kosmas Epsilon. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Kosmas Epsilon. Εμφάνιση όλων των αναρτήσεων

Σάββατο 4 Φεβρουαρίου 2017

A pinch of Greek electronic music

As already stated in a previous blog post, progressive house & trance were blooming all around the world at the end of the previous century until the mid 00's. Sasha & John Digweed hammered the dance floor of Twilo in New York circa 1998-2001. The success of Global Underground mix CDs, which were circulating in music stores and P2P programs, championed the prog music to the masses (including myself). 

Meanwhile in Greece, there was only a handful of radio stations, which broadcast exclusively electronic music tracks. A personal favorite from my youth years was Liquid FM, although I should mention that I was never a fanatic radio listener. My first encounters with EDM were through Paul Oakenfold Essential mixes that existed in Napster.

Following the trend of prog music, mid 00's was also a fruitful period for Greek artists in the area of EDM. One of the first examples is George Pallikaris, a.k.a. G-Pal. Although he started with more tech and deep house sounds, he released his fifth EP in Bedrock Records (2001), showcasing his first takes on progressive house. Very soon, he developed from an rising artist into a popular DJ and producer, with successful releases, such as Ocean Of Blue (2002) and Ophra (2003).

At the same time, many young talents emerged in the scene, including Stelios Vassiloudis, Kosmas EfstratiouChristian Cambas, Giannis Douskos and Nikos Galatsopoulos. All of them appeared in an essential Greek compilation CD, Local Underground, paving the way for progressive house music. The prog craze was everywhere. The most popular Greek radio station for electronic music, Best Radio 92.6, was musically oriented on this genre, while having the support of the affiliated label Klik Records. The dancefloors of the Greek night clubs were full of clubbers dancing to the tunes of this era.

EDM has surely changed a lot since then. Progressive house is not considered "hot" now, surrendering its place to other music genres, like deep/tech house and techno. Obviously, the same pattern applies in Greece. There is nothing wrong with that, cause it's all about good music, not music styles. However, I am very curious to listen to the upcoming album of Way Out West and how Nick Warren and Jody Wisternoff (masters of progressive house) evolved through these years!