Italian techno music delivers:
3KZ - A LOVE SUPREME
3KZ is the collaborative project of Italian producers Giuseppe Maffei and Nico Campanella. Hailing from Puglia (a district of South Italy), the two youngsters shared parallel paths in music, since they both were captivated by the techno music of the 90's.
Giuseppe is mostly known with this solo alias Z.I.P.P.O. since 2014, when his first production Symmetrica Therapy was surfaced in a EP by German label Figure. His alias is associated with the composition of eclectic techno tracks, presented by various European independent labels (Suburban Avenue, Involve Records, Enemy Records, Virgo). Additionally, he is the owner of Fides, a record label focused on releasing his and Nico's material. At the end of this month, his new project Midnight Conversation (with the fellow Italian Mattia Trani) is expected to be released, whose output seems a fine mixture of nu funk / nu jazz.
Nico emerged in the music scene as Kaelan, via his label Subosc in 2012 (initially in digital-only format). His work can be considered as a harmonic interpretation of the Detroit sound, since his training on classical piano blends perfectly with his inspiration from techno legends (Jeff Mills, Robert Hood, Derrick May), in order to produce a trippy musical experience. His other solo aliases are also interesting for listening purposes (2030 for electro productions and Ixm for dub techno tracks).
Personally, I believe that their collaborative effort as 3KZ is the most creative. In 2017, their debut album Parallel Reflections was released via Fides and it is undoubtedly a top notch LP (with an amazing artwork cover!). The two guys work splendidly into crafting sublime melodic techno with modern equipment.
This year, they return with a new killer EP called A Love Supreme, released in March by Berlin-based label Arts. For some reason, the tracks remind me the early works of Ludovic Navarre (St. Germain anyone?), who was one of the pioneers for the French techno scene.
Finally, I hope that they visit someday Greece for an ambient jam session like this one!
Κυριακή 13 Μαΐου 2018
Δευτέρα 26 Φεβρουαρίου 2018
Tune #87: KiNK - Cloud Generator
Dope Generator!
KINK - CLOUD GENERATOR
One of 2015's strongest releases was delivered by producer Strahil Velchev, hailing from the Bulgaria's capital, Sofia. Currently, he is considered one of the top live acts, a fact which is not strange for a synth and machine aficionado. However, his road to glory was not an easy one...
Mr. Velchev's musical background was shaped by the explosion of house & techno music of the early 90s, supported by pirate cassette tapes that circulated the country after the collapse of communism. His first attempt on music production started in 1999, performed on a simple computer system due to weak financial viability for more sophisticated hardware.
In 2001, he teamed up will fellow Bulgarians KEi, SuB & Ogonek, in order to create pBPM (porno bpm), aiming to push the boundaries of club culture and to promote the different genres of electronic dance music. One year later, a promo CD was released in Bulgaria, consisting of the first works of the group members.
The first production years (until 2005) were not fruitful for Strahil, since no label was interested in signing his tracks. This inactivity caused him to feel isolated from the wider techno culture, but it also fueled him for a more creative output in his future works.
In 2006, KiNK discovered that UK DJ and producer Neville Watson had included his track Same Old Thing in his DJ sets. As a result, the two guys communicated and exchanged tracks via social media, since they shared the same taste in music. Two years later, their first collaborative work Inside Out appeared in Hour House Is Your Rush Records. The funny thing about this story is that they did not actually met each other until 2010, in order to perform as a DJ duo in an electronic music event.
KiNK's greatest success to date is the today's post; Cloud Generator was created in an indeliberate manner during a rehearsal for a live show. The combination of a turntable loop and a bassline forged a strong techno track, which led to an EP release by German label Running Back in 2015. Needless to say that the influence from Laurent Garnier's trademark sound is evident throughout the track. Supported by notable DJs around the world (Laurent Garnier, Dixon, Andrew Weatherall & John Digweed to name a few), KiNK's sound has made its mark to the club scene. Besides Cloud Generator, the homonymous EP is worth listening, especially for the arpeggio of Pocket Piano's two versions, which creates a nostalgic tone.
A side-project of Strahil Velchev is Cyrillic (or Kirilik), which is more techno-oriented and limited in terms of gear; while KiNK live sets involves various digital, analog and DJ equipment, Cyrillic sound is based on a standard DJ setup. Hopefully, the current year will find the first release of his other alias!
KINK - CLOUD GENERATOR
One of 2015's strongest releases was delivered by producer Strahil Velchev, hailing from the Bulgaria's capital, Sofia. Currently, he is considered one of the top live acts, a fact which is not strange for a synth and machine aficionado. However, his road to glory was not an easy one...
Mr. Velchev's musical background was shaped by the explosion of house & techno music of the early 90s, supported by pirate cassette tapes that circulated the country after the collapse of communism. His first attempt on music production started in 1999, performed on a simple computer system due to weak financial viability for more sophisticated hardware.
In 2001, he teamed up will fellow Bulgarians KEi, SuB & Ogonek, in order to create pBPM (porno bpm), aiming to push the boundaries of club culture and to promote the different genres of electronic dance music. One year later, a promo CD was released in Bulgaria, consisting of the first works of the group members.
The first production years (until 2005) were not fruitful for Strahil, since no label was interested in signing his tracks. This inactivity caused him to feel isolated from the wider techno culture, but it also fueled him for a more creative output in his future works.
In 2006, KiNK discovered that UK DJ and producer Neville Watson had included his track Same Old Thing in his DJ sets. As a result, the two guys communicated and exchanged tracks via social media, since they shared the same taste in music. Two years later, their first collaborative work Inside Out appeared in Hour House Is Your Rush Records. The funny thing about this story is that they did not actually met each other until 2010, in order to perform as a DJ duo in an electronic music event.
KiNK's greatest success to date is the today's post; Cloud Generator was created in an indeliberate manner during a rehearsal for a live show. The combination of a turntable loop and a bassline forged a strong techno track, which led to an EP release by German label Running Back in 2015. Needless to say that the influence from Laurent Garnier's trademark sound is evident throughout the track. Supported by notable DJs around the world (Laurent Garnier, Dixon, Andrew Weatherall & John Digweed to name a few), KiNK's sound has made its mark to the club scene. Besides Cloud Generator, the homonymous EP is worth listening, especially for the arpeggio of Pocket Piano's two versions, which creates a nostalgic tone.
A side-project of Strahil Velchev is Cyrillic (or Kirilik), which is more techno-oriented and limited in terms of gear; while KiNK live sets involves various digital, analog and DJ equipment, Cyrillic sound is based on a standard DJ setup. Hopefully, the current year will find the first release of his other alias!
Τρίτη 23 Ιανουαρίου 2018
Tune #86: Kohib - One Hundred Of Them
Exploring further the Norwegian electronic sound of the 90's, traces can be found in Tromsø, the innovative city regarding the house & techno scene of Norway (also know for its proximity to the Aurora Borealis!). Several important artists lived in that area, such as Geir Jenssen (Biosphere), Bjørn Torske (Ismistik), Per Martinsen (Metal Overdrive), Rune Lindbæk and Ole Mjøs. Even Röyksopp, known for their works here in Greece, started their career in Tromsø!
The connecting point for all these artists originated from a local student radio station and a show called Beatservice, curated by Vidar Hanssen (along with Nick Johannessen in the first years). The radio show introduced the listeners to various styles of electronic music. Year 1994 marked the 10th anniversary of the show, celebrated with the compilation TOS.CD - Tromsø Techno 1994. The comp CD included prominent acts of the city (the ones mentioned above), along with emerging artists like Aedena Cycle, Electrip-C and Information.
What initially started as an one-off project resulted to the launch of label Beatservice Records, which continues to exist till this very day (mostly in digital format). Today's track is part of Beatservice's legacy:
KOHIB - ONE HUNDRED OF THEM
Kohib is an alias of Øivind Sjøvoll, a Norwegian artist from Sortland. His first step in music was DJing in 1997, moving on with organizing club events in Tromsø. In 2001 he performed his first compositions as Parliavox (teaming up with his friend Torbjørn Ingvaldsen), fusing funk and jazz with house elements. Since 2003, he started to produce solo works, resulting to the debut of the Kohib alias with track Truger in the Prima Norsk 3 compilation in 2005.
The majority of Kohib's output has been released by Beatservice Records, oriented on leftfield dub house tracks. In 2012, a collaboration of Sjøvoll with Sami singer Mari Boine surfaced via the EP Tirakan. Mari Boine is a famous world music singer of Sami heritage (her parents lived in Sápmi region, located in the northern parts of Scandinavia and inhabited by indigenous people of the Sami tribe, also known as Lapps). She enjoyed international success with the Gula Gula album, released in 1989. It seems that Kohib was a great admirer of Mari's work, since he provided a remix of her song The Shadow in 2007. Regarding the Tirakan EP, Øivind and Mari had a studio session, leading to the creation of two tracks: the homonymous track and One Hundred Of Them.
My first encounter with One Hundred Of Them was during the listening experience of "A Love From Outer Space" set by Andrew Weatherall and Sean Johnston, notorious for their obscure track selections, blending slow motion grooves with cosmic disco and leftfield techno. The track is a great choice to include in an experimental dance set, since Mari's tremulous and ethereal vocals generate an outlandish feeling!
What initially started as an one-off project resulted to the launch of label Beatservice Records, which continues to exist till this very day (mostly in digital format). Today's track is part of Beatservice's legacy:
KOHIB - ONE HUNDRED OF THEM
Kohib is an alias of Øivind Sjøvoll, a Norwegian artist from Sortland. His first step in music was DJing in 1997, moving on with organizing club events in Tromsø. In 2001 he performed his first compositions as Parliavox (teaming up with his friend Torbjørn Ingvaldsen), fusing funk and jazz with house elements. Since 2003, he started to produce solo works, resulting to the debut of the Kohib alias with track Truger in the Prima Norsk 3 compilation in 2005.
The majority of Kohib's output has been released by Beatservice Records, oriented on leftfield dub house tracks. In 2012, a collaboration of Sjøvoll with Sami singer Mari Boine surfaced via the EP Tirakan. Mari Boine is a famous world music singer of Sami heritage (her parents lived in Sápmi region, located in the northern parts of Scandinavia and inhabited by indigenous people of the Sami tribe, also known as Lapps). She enjoyed international success with the Gula Gula album, released in 1989. It seems that Kohib was a great admirer of Mari's work, since he provided a remix of her song The Shadow in 2007. Regarding the Tirakan EP, Øivind and Mari had a studio session, leading to the creation of two tracks: the homonymous track and One Hundred Of Them.
My first encounter with One Hundred Of Them was during the listening experience of "A Love From Outer Space" set by Andrew Weatherall and Sean Johnston, notorious for their obscure track selections, blending slow motion grooves with cosmic disco and leftfield techno. The track is a great choice to include in an experimental dance set, since Mari's tremulous and ethereal vocals generate an outlandish feeling!
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