Al-Qiyama is the 75th chapter of the Quran, which refers to "The Resurrection". I am not familiar with the Islamic religion, therefore I can only assume that the chapter is the an interpretation of "The Day of Judgement" for the Muslims.
How is the above information connected with the post? I am not sure, but the Albanian translation for "Al-Qiyama" is "Surja El-Kijame", which is the name of today's track:
RED MECCA - SURA KIJAME
Red Mecca was a production team consisting of Fred Ventura, Stefano Comazzi & Livio Fogli. In the beginning of the 90's the three guys were part of "The Undeground Sound Of Milan", promoting underground techno releases under Evolution Records, a subsidiary label of Discomagic Records (one of the most important italo disco companies throughout the 80's).
The first release of the label was Grey Area - Action (1990), which was a production of the same guys under a different pseudonym. The second release was Sura Kijame under the Red Mecca alias, a techno-new beat composition mixed with arabic vocals. Unfortunately, I do not understand the Arabic(?) language, in order to identify if the lyrics refer to the chapter of the Quran. However, they create a hypnotic feeling with the assistance of the repetitive beat.
What surprises me is the rating of the release in Discogs (less than 4 stars out of 5). I do not know if it actually influenced other electronic music artists in the next years, but several proto-trance elements can be heard, setting the basis for the first trance records. The artwork of the release is also remarkable, which is a painting by Italian painter Pino Volpi.
The lifespan of Evolution Records was short; until 1994 (during the last two years the releases focused on deep house genre). Nowadays, Ventura and Fogli seem to remain active in music production, while Comazzi's last traces can be found in the previous decade.
Finally, it is a mystery why an Albanian translation for a islamic term was used for the release (possibly the guys may have Albanian roots). At any case, this obscurity is worth archiving in the vault called "Music Miner"!
Κυριακή 2 Ιουνίου 2019
Κυριακή 12 Μαΐου 2019
Tune #94: Meek - Glowing Trees
"FAIL WE MAY, SAIL WE MUST"
This is one of Andrew Weatherall's many tattoos, a phrase he heard at a young age from an Irish fisherman, when the latter had to steer a boat in a stormy weather. Adopting the meaning of the phrase to push his artistic creativity to new levels, Sir Andrew has been an electronic music royalty for over three decades.
In past February I had the opportunity to attend an open discussion with him, held in Athens. While I was not keen on the questions of the moderator or the audience (including my non-intervention), I was amazed by the attitude and spirit of this man. Andrew Weatherall is a great speaker with his humor-flavored feedback on various topics, from music evolution and DJ point-of-view to youth culture (not surprising considering the fact that he was once a freelance journalist). A huge respect should be given to him for his DJ work ethic, staying loyal to his musical roots and never attaining the superstar DJ identity.
The 2-hour set followed after the discussion was quirky, tailored to Mr. Weatherall's ethos. The other half of the duo (i.e. Sean Johnston) was not present, yet the track selection and the atmosphere was very ALFOS-ish (playing below 122 bpm along with occasional techno bombs). As always, the tracks included in the mix were obscure (I guess that only some of them could be identified by Shazam's groundbreaking technology).
There are very obvious tribute tracks to use for today's post:
- Happy Mondays – Hallelujah (Remix): Andrew partnered with Paul Oakenfold for remix duties on a classic Madchester anthem
- Saint Etienne - Only Love Can Break Your Heart (Remix): A "cool & deadly" remix on Saint Etienne's first single, a cover of a Neil Young track.
- The Sabres Of Paradise – Smokebelch II: Collaboration with Gary Burns & Jagz Kooner for mellow downtempo productions, featured in many chillout compilations
- Primal Scream - Come Together: The production mind behind Screamadelica, responsible for re-inventing Primal Scream and creating a rave 'n' roll album.
However, the following obscurity is selected:
MEEK - GLOWING TREES
In 1994 Andrew Weatherall used the pseudonym Emmet Prague, in order to produce track Glowing Trees. The two versions of the track are ambient techno compositions that do not fit to his dub leftfield style, but reveal his dark side in terms of music production. Limited to 500 copies, it is a must have rarity for Sir Andrew fans.
Long live to techno punk Andrew Weatherall!
This is one of Andrew Weatherall's many tattoos, a phrase he heard at a young age from an Irish fisherman, when the latter had to steer a boat in a stormy weather. Adopting the meaning of the phrase to push his artistic creativity to new levels, Sir Andrew has been an electronic music royalty for over three decades.
In past February I had the opportunity to attend an open discussion with him, held in Athens. While I was not keen on the questions of the moderator or the audience (including my non-intervention), I was amazed by the attitude and spirit of this man. Andrew Weatherall is a great speaker with his humor-flavored feedback on various topics, from music evolution and DJ point-of-view to youth culture (not surprising considering the fact that he was once a freelance journalist). A huge respect should be given to him for his DJ work ethic, staying loyal to his musical roots and never attaining the superstar DJ identity.
The 2-hour set followed after the discussion was quirky, tailored to Mr. Weatherall's ethos. The other half of the duo (i.e. Sean Johnston) was not present, yet the track selection and the atmosphere was very ALFOS-ish (playing below 122 bpm along with occasional techno bombs). As always, the tracks included in the mix were obscure (I guess that only some of them could be identified by Shazam's groundbreaking technology).
There are very obvious tribute tracks to use for today's post:
- Happy Mondays – Hallelujah (Remix): Andrew partnered with Paul Oakenfold for remix duties on a classic Madchester anthem
- Saint Etienne - Only Love Can Break Your Heart (Remix): A "cool & deadly" remix on Saint Etienne's first single, a cover of a Neil Young track.
- The Sabres Of Paradise – Smokebelch II: Collaboration with Gary Burns & Jagz Kooner for mellow downtempo productions, featured in many chillout compilations
- Primal Scream - Come Together: The production mind behind Screamadelica, responsible for re-inventing Primal Scream and creating a rave 'n' roll album.
However, the following obscurity is selected:
MEEK - GLOWING TREES
In 1994 Andrew Weatherall used the pseudonym Emmet Prague, in order to produce track Glowing Trees. The two versions of the track are ambient techno compositions that do not fit to his dub leftfield style, but reveal his dark side in terms of music production. Limited to 500 copies, it is a must have rarity for Sir Andrew fans.
Long live to techno punk Andrew Weatherall!
Δευτέρα 14 Ιανουαρίου 2019
Tune #93: Joker Jam - Traffic
Where are they now?
JOKER JAM - TRAFFIC (ORIGINAL MIX)
Joker Jam was the birth child of German producers Uwe Hölters and Bart van der Zwaan. Their first track was Innocence, released in 2001 by Red Series (possibly a label set up by themselves). Supported and remixed by Paul Van Dyk, it was also re-released by Green Martian (subsidiary label of the Bonzai guys) in Belgium and by Five AM in UK. Additionally, it was featured in many mix and comp CDs, achieving great success in the club scene.
The popularity of the track secured a new release called Traffic (not to be confused with Tiesto's track!!!) in the following year. The new production was included in the eighth installment of In Trance We Trust series, crafted by DJ Ton T.B. (mostly known as the one half of the alias Three Drives On A Vinyl). While the DJ mix is not very interesting in terms of flow and track selection (however, we should not deny the greatness of Ton T.B. as a producer), one of the highlights is undoubtedly this track.
I am wondering why such an energetic track like Traffic was not licensed in more compilations, since it is a progressive trancer which is capable for taking the listener to a euphoric atmosphere. I guess that Innocence stole its thunder, being the first production. Anyway, the usual suspect of that era Yoogie Van Bellen steps in on remix duties, adding his unique touch for a blissful listening experience. Additionally, a guitar-free version is also featured, performed by Joker Jam.
JOKER JAM - TRAFFIC (VAN BELLEN REMIX)
JOKER JAM - TRAFFIC (SUNSET MIX)
So, where are they now? Uwe has teamed up with fellow "Düsseldorfian" Felix Kessler to form a new project called Danzzer. No track has been released officially yet, since the duo is seeking for singers and songwriters to collaborate with them (according to their Soundcloud account).
Although his music output outnumbers considerably Uwe's work, Bart seems to be inactive for many years (at least according to Discogs!). However, he has found a new passion in handmade crafts!
Happy New Year!
JOKER JAM - TRAFFIC (ORIGINAL MIX)
Joker Jam was the birth child of German producers Uwe Hölters and Bart van der Zwaan. Their first track was Innocence, released in 2001 by Red Series (possibly a label set up by themselves). Supported and remixed by Paul Van Dyk, it was also re-released by Green Martian (subsidiary label of the Bonzai guys) in Belgium and by Five AM in UK. Additionally, it was featured in many mix and comp CDs, achieving great success in the club scene.
The popularity of the track secured a new release called Traffic (not to be confused with Tiesto's track!!!) in the following year. The new production was included in the eighth installment of In Trance We Trust series, crafted by DJ Ton T.B. (mostly known as the one half of the alias Three Drives On A Vinyl). While the DJ mix is not very interesting in terms of flow and track selection (however, we should not deny the greatness of Ton T.B. as a producer), one of the highlights is undoubtedly this track.
I am wondering why such an energetic track like Traffic was not licensed in more compilations, since it is a progressive trancer which is capable for taking the listener to a euphoric atmosphere. I guess that Innocence stole its thunder, being the first production. Anyway, the usual suspect of that era Yoogie Van Bellen steps in on remix duties, adding his unique touch for a blissful listening experience. Additionally, a guitar-free version is also featured, performed by Joker Jam.
JOKER JAM - TRAFFIC (VAN BELLEN REMIX)
JOKER JAM - TRAFFIC (SUNSET MIX)
So, where are they now? Uwe has teamed up with fellow "Düsseldorfian" Felix Kessler to form a new project called Danzzer. No track has been released officially yet, since the duo is seeking for singers and songwriters to collaborate with them (according to their Soundcloud account).
Although his music output outnumbers considerably Uwe's work, Bart seems to be inactive for many years (at least according to Discogs!). However, he has found a new passion in handmade crafts!
Happy New Year!
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